• Video Art during the South Island Art Day

    posted by Studio Phil Akashi on Wednesday, October 1, 2014

    The Saturday 27th September 2014, Phil Akashi participated to the South Island Art Day in Hong Kong, together with more than 20 galleries and artist studios such as Alisan Fine ArtsArt Statements, Blindspot GalleryPékin Fine Arts, Plum Blossoms Gallery, Rossi & Rossi, Spring Workshop,  and Gallery Exit.

     

    The event took part in the South Island Cultural District (SICD), the HK new destination for Contemporary Art. This exciting Art Day included exhibition openings, street and studio performances by artists, musicians and dancers, artist talks, creative activities for children and a late night after-party.

     

    Alongside other artists, Phil Akashi showcased a video art project (Universe) on a giant screen in the G.I.G. Gallery in the newly opened Ovolo Southside Hotel, first warehouse conversion hotel in HK (member of Design Hotels). The G.I.G. Gallery is a dynamic art and event space that encompasses the Ovolo Hotel ground floor. Featuring tall ceilings, glass partitions and illumination from exquisite 25 meter video wall displays, G.I.G turns the Ovolo arrival experience into one of the must-see spots on the Southside.

     

    The other artists participating in video art were AES+F (The Feast of Trimalchio & Allegoria Sacra), Erwin Olaf (Le Dernier Cri), Qiu Zhije (Form of Memory), Pascal Lièvre (Abba Mao & the Axes of Evil), Li Ming (Pond), Xu Qu (Upstream), Chen Shaoxiong (Ink Media), Yu Lik Wai (Nocturnal), Wong Sze Mei (The Grey Sooth), Wong Yik Fung (Slowdive & Gleam) and Mandy Cheung Fuk-ngai (Infinity). Phil Akashi also participated in artist talks in his studio, which was opened the whole day to the public. 

     

     

    SICD 2014 Phil Akashi GIG Gallery Ovolo Hotel
    The G.I.G. Gallery

     

    SICD 2014 Phil Akashi

     

    Phil Akashi Studio South Island Cultural District Hong Kong

     

     

    Phil Akashi Studio South Island Art Day Hong Kong 2014
    Phil Akashi Studio

     

    3812 Contemporary Art Projects South Island Cultural District
    3812 Contemporary Art Projects

     

    Blindspot Gallery South Island Cultural District
    Blindspot Gallery

     

    Plum Blossoms Gallery South Island Cultural District
    Plum Blossoms Gallery

     

     

     

    South Island Cultural District South Island Art Day Hong Kong 2014 Phil Akashi

     

     

     

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  • Resistance | Phil Akashi With the sculpture “Resistance”, Phil Akashi uses an analogy to explore and question the themes of political corruption and abuse of power. The sculpture represents the imprint of the Seal of the Mandate of Heaven - the most powerful seal ever carved for Emperor Kangxi, the longest-reigning monarch of China. The seal bears an inscription “Jingtian Qinmin ” which means "Revere heaven and serve the people”. This was symbolic of Kangxi’s legitimacy as it attests to the ancient Chinese philosophy that heaven grants authority to an emperor if he serves his people virtuously. “Jingtian Qinmin ” was one of the guiding principles of the Chinese imperial system. Emperor Kangxi, who ruled Qing dynasty China from 1661 to 1722 and oversaw an extended period of prosperity in the country, is considered one of China's greatest rulers. He is credited with establishing national stability after the turbulence of the preceding centuries. The Kangxi Emperor believed that “Jingtian Qinmin” was a prerequisite for a wise rulership. He once said that “a ruler must revere Heaven and serve the people with his whole spirit and with every fibre of his being, and that the way of being a ruler lies in love for the people”. This imperial seal, used by Emperor Kangxi, has been auctioned at Sotheby’s in Hong Kong in 2016 for $12 million USD. According to Nicolas Chow, Sotheby’s deputy chairman of Asia: “Its value is in the history and symbolism it carries.” #philakashi #sculpture #copper #marble #resistance #imperial #chineseseal #corruption #abuse #power #emperor #kangxi #sothebys

  • Resistance | Phil Akashi With the sculpture “Resistance”, Phil Akashi uses an analogy to explore and question the themes of political corruption and abuse of power. The sculpture represents the imprint of the Seal of the Mandate of Heaven - the most powerful seal ever carved for Emperor Kangxi, the longest-reigning monarch of China. The seal bears an inscription “Jingtian Qinmin ” which means "Revere heaven and serve the people”. This was symbolic of Kangxi’s legitimacy as it attests to the ancient Chinese philosophy that heaven grants authority to an emperor if he serves his people virtuously. “Jingtian Qinmin ” was one of the guiding principles of the Chinese imperial system. Emperor Kangxi, who ruled Qing dynasty China from 1661 to 1722 and oversaw an extended period of prosperity in the country, is considered one of China's greatest rulers. He is credited with establishing national stability after the turbulence of the preceding centuries. The Kangxi Emperor believed that “Jingtian Qinmin” was a prerequisite for a wise rulership. He once said that “a ruler must revere Heaven and serve the people with his whole spirit and with every fibre of his being, and that the way of being a ruler lies in love for the people”. This imperial seal, used by Emperor Kangxi, has been auctioned at Sotheby’s in Hong Kong in 2016 for $12 million USD. According to Nicolas Chow, Sotheby’s deputy chairman of Asia: “Its value is in the history and symbolism it carries.” #philakashi #sculpture #copper #marble #resistance #imperial #chineseseal #corruption #abuse #power #emperor #kangxi #sothebys

  • Resistance | Phil Akashi With the sculpture “Resistance”, Phil Akashi uses an analogy to explore and question the themes of political corruption and abuse of power. The sculpture represents the imprint of the Seal of the Mandate of Heaven - the most powerful seal ever carved for Emperor Kangxi, the longest-reigning monarch of China. The seal bears an inscription “Jingtian Qinmin ” which means "Revere heaven and serve the people”. This was symbolic of Kangxi’s legitimacy as it attests to the ancient Chinese philosophy that heaven grants authority to an emperor if he serves his people virtuously. “Jingtian Qinmin ” was one of the guiding principles of the Chinese imperial system. Emperor Kangxi, who ruled Qing dynasty China from 1661 to 1722 and oversaw an extended period of prosperity in the country, is considered one of China's greatest rulers. He is credited with establishing national stability after the turbulence of the preceding centuries. The Kangxi Emperor believed that “Jingtian Qinmin” was a prerequisite for a wise rulership. He once said that “a ruler must revere Heaven and serve the people with his whole spirit and with every fibre of his being, and that the way of being a ruler lies in love for the people”. This imperial seal, used by Emperor Kangxi, has been auctioned at Sotheby’s in Hong Kong in 2016 for $12 million USD. According to Nicolas Chow, Sotheby’s deputy chairman of Asia: “Its value is in the history and symbolism it carries.” #philakashi #sculpture #copper #marble #resistance #imperial #chineseseal #corruption #abuse #power #emperor #kangxi #sothebys

  • Resistance | Phil Akashi With the sculpture “Resistance”, Phil Akashi uses an analogy to explore and question the themes of political corruption and abuse of power. The sculpture represents the imprint of the Seal of the Mandate of Heaven - the most powerful seal ever carved for Emperor Kangxi, the longest-reigning monarch of China. The seal bears an inscription “Jingtian Qinmin ” which means "Revere heaven and serve the people”. This was symbolic of Kangxi’s legitimacy as it attests to the ancient Chinese philosophy that heaven grants authority to an emperor if he serves his people virtuously. “Jingtian Qinmin ” was one of the guiding principles of the Chinese imperial system. Emperor Kangxi, who ruled Qing dynasty China from 1661 to 1722 and oversaw an extended period of prosperity in the country, is considered one of China's greatest rulers. He is credited with establishing national stability after the turbulence of the preceding centuries. The Kangxi Emperor believed that “Jingtian Qinmin” was a prerequisite for a wise rulership. He once said that “a ruler must revere Heaven and serve the people with his whole spirit and with every fibre of his being, and that the way of being a ruler lies in love for the people”. This imperial seal, used by Emperor Kangxi, has been auctioned at Sotheby’s in Hong Kong in 2016 for $12 million USD. According to Nicolas Chow, Sotheby’s deputy chairman of Asia: “Its value is in the history and symbolism it carries.” #philakashi #sculpture #copper #marble #resistance #imperial #chineseseal #corruption #abuse #power #emperor #kangxi #sothebys

  • Resistance | Phil Akashi With the sculpture “Resistance”, Phil Akashi uses an analogy to explore and question the themes of political corruption and abuse of power. The sculpture represents the imprint of the Seal of the Mandate of Heaven - the most powerful seal ever carved for Emperor Kangxi, the longest-reigning monarch of China. The seal bears an inscription “Jingtian Qinmin ” which means "Revere heaven and serve the people”. This was symbolic of Kangxi’s legitimacy as it attests to the ancient Chinese philosophy that heaven grants authority to an emperor if he serves his people virtuously. “Jingtian Qinmin ” was one of the guiding principles of the Chinese imperial system. Emperor Kangxi, who ruled Qing dynasty China from 1661 to 1722 and oversaw an extended period of prosperity in the country, is considered one of China's greatest rulers. He is credited with establishing national stability after the turbulence of the preceding centuries. The Kangxi Emperor believed that “Jingtian Qinmin” was a prerequisite for a wise rulership. He once said that “a ruler must revere Heaven and serve the people with his whole spirit and with every fibre of his being, and that the way of being a ruler lies in love for the people”. This imperial seal, used by Emperor Kangxi, has been auctioned at Sotheby’s in Hong Kong in 2016 for $12 million USD. According to Nicolas Chow, Sotheby’s deputy chairman of Asia: “Its value is in the history and symbolism it carries.” #philakashi #sculpture #copper #marble #resistance #imperial #chineseseal #corruption #abuse #power #emperor #kangxi #sothebys